I have been working on a project about authenticating a painting maybe misattributed to one of my Expressionist painters (yet maybe made by another), so I was very interested to see a story crop up over the weekend in the Münchner Merkur online edition (pretty sure Süddeutsche Zeitung, usually so on top of all news Bayern, must be spitting nails!) about a man who thinks he owns a painting by August Macke.
Even more intriguingly, the painting would have been made in 1910, the year Macke spent in Tegernsee during which time Franz Marc often came to visit the Macke family, sometimes walking there through Oberbayern from Sindelsdorf to Tegernsee with Russi Marc. This period of time is recounted with warmth and in detail by Margarethe Jochimsen and Peter Dering in the book August Macke in Tegernsee.
The man who owns the painting, Herbert Spiess, claims to have purchased it from an art dealer in Vienna in 1984. Spiess told the Merkur he became convinced the painting, a small streetscape, was a Macke simply through visual association. (The Westfälische Landesmuseum für Kunst und Kulturgeschichte in Münster says “no” in the Merkur’s story; no comment from the Lenbachhaus or the August Macke Haus in Bonn).
Macke enjoyed his time in Tegernsee. This was a happy year for Macke and his wife, Elizabeth and their first son, Walter, was born in the quiet lakeside village. Macke was more or less amused by his botany-obsessed landlords, whose Bayerische dialect he was able to penetrate with Marc’s help. Stubbornly autodidactic and much more fanciful and imaginative than he appeared at a glance, Macke spent hours doing “copying exercises” with Marc (and doing some other fun stuff too), and experimented with many styles of painting and drawing in 1910.
During this time, despite being in a very attractive location, Macke concentrated on portraiture, making many sketches and paintings of Walter, Elizabeth, and the famous portrait of Marc.
But Macke also was always making all sorts of things, from tapestries to fabric designs to theater decorations. So it’s certainly possible this single painting is something he just knocked out during this period of great productivity – Macke was exceedingly prolific and made more than 200 paintings between 1909 and late 1910, when the young family returned to Bonn, leaving cousin Helmuth Macke to stay with Marc.
So it’s hard to say, from looking alone, if this painting could be Macke’s. I hope it is but (and this is really just a very strong intuition as much as empirical assessment) my feeling is that it might not be. To my eye the painting lacks that little flourish of passion and verve, and of capturing the “inner realities” of the beauty he was in the physical world, that is the beautiful Expressionist hallmark of Macke’s oeuvre. With any luck I’m wrong though, and the world will have a new August Macke painting to admire.
Anyway, the reporter, Vera Markert, asks that if you have any information or ideas about the painting to get in touch with the Merkur via email at firstname.lastname@example.org wenden.