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	<title>italiangreyhounds.org &#187; Archivist, University of Polyleritae</title>
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	<description>Italian Greyhounds, Libraries, Miscellany, Eschatology</description>
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		<title>Video Kingpins of Hades Or, No Mercy For Nonsense</title>
		<link>http://italiangreyhounds.org/errata/2010/08/08/video-kingpins-of-hades-or-no-mercy-for-nonsense-chapter-iii-the-vacation/</link>
		<comments>http://italiangreyhounds.org/errata/2010/08/08/video-kingpins-of-hades-or-no-mercy-for-nonsense-chapter-iii-the-vacation/#comments</comments>
		<pubDate>Sun, 08 Aug 2010 02:32:31 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Boy Geoge]]></category>
		<category><![CDATA[Culture Club]]></category>
		<category><![CDATA[Eschatology]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Mars Bars]]></category>
		<category><![CDATA[Side Projects]]></category>
		<category><![CDATA[Video Kingpins of Hades Or]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=415</guid>
		<description><![CDATA[Chapter 3: The Vacation They desperately needed to stop. “Daddy, Daddy!” screamed Tony in a voice of desperate pleading. They were on the Interstate, about twenty miles from the nearest gas station, and they had just left Burger Junction and Auto Palace. Tony needed to stop. “Tony,” Mrs. Jones said calmly, turning around in her <a href='http://italiangreyhounds.org/errata/2010/08/08/video-kingpins-of-hades-or-no-mercy-for-nonsense-chapter-iii-the-vacation/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_414" class="wp-caption alignleft" style="width: 235px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/kermessejette.jpg"><img class="size-medium wp-image-414" title="kermessejette" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/kermessejette-225x300.jpg" alt="Kermesse Jette" width="225" height="300" /></a><p class="wp-caption-text">Kermesse Jette</p></div>
<h2><span style="color: #ffcc00;"><span class="post-heading-single">Chapter 3: The Vacation</span></span></h2>
<p class="post-body">
<p>They desperately needed to stop.</p>
<p>“Daddy, Daddy!” screamed Tony<span style="color: #00ffff;"> in a voice of desperate pleading</span>.</p>
<p>They were on the Interstate, about twenty miles from the nearest gas station, and they had just left Burger Junction and <span style="color: #ff0000;">Auto Palace</span>.  Tony needed to stop.</p>
<p>“Tony,”  Mrs. Jones said calmly, turning around in her seat to hit the teen with a flyswatter her husband had given her as a Mother’s Day gift. “You have got to understand that we are trying our best to make it to the gas station as soon as you can, but Iowa is a big, spread out place. If you need to stop that bad, we’ll pull over here.”</p>
<p>The other children screamed with laughter, tormenting their brother with sadistic cruelty, the same kind they learned from their mom.</p>
<p>Tony became enraged, taken by anger. He began lashing out, kicking the dog and shouting obscenities. The dog bit him back. Fido is a pit bull.</p>
<p>Grandma’s house was just down this oak lined street.</p>
<p>“Des Moines is such a pretty town,” Mrs. Jones said. “But I hate your lousy mother.”</p>
<p>Mr. Jones didn’t hear her, as he was chomping on a <span style="color: #ffcc00;">Mars Bar</span>, noticing that there wasn’t really an almond in every bite. He slammed on the brakes, rolled down the window, threw the candy out onto the street and pulled out a Heath Bar in retaliation.</p>
<p>“Litterbug,” said Toniya.</p>
<p>“Nazi Swine,” Mr. Jones replied laughing.</p>
<p>“Look there’s Grandma!” Little Boy Joey bellowed. “<strong><span style="color: #ff0000;">It’s a Miracle</span>.</strong>”</p>
<p>Grandma was there alright, all 350 pounds or her. Mrs. Jones grimaced in disbelief.</p>
<p>“That fat hippo,” she said, giving the old woman the proverbial finger.</p>
<p>She put down her <em>Mighty Mouseketeer </em>Comic Book, and opened the door, proceeding to roller skate up the driveway’s slight incline.</p>
<p>“Your mom can really skate,” Mr. Jones pointed out to the three children.</p>
<h2><span style="color: #ffcc00;"><em>TO BE CONTINUED</em></span></h2>
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		<item>
		<title>Toothless in Tampa</title>
		<link>http://italiangreyhounds.org/errata/2010/07/18/toothless-in-tampa/</link>
		<comments>http://italiangreyhounds.org/errata/2010/07/18/toothless-in-tampa/#comments</comments>
		<pubDate>Sun, 18 Jul 2010 02:49:07 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Animals]]></category>
		<category><![CDATA[Dogs!]]></category>
		<category><![CDATA[Italian Greyhounds]]></category>
		<category><![CDATA[Dental Health for Dogs]]></category>
		<category><![CDATA[Marcie Carey]]></category>
		<category><![CDATA[Teeth]]></category>
		<category><![CDATA[Teeth Extraction]]></category>
		<category><![CDATA[Toothless]]></category>
		<category><![CDATA[Trauma]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=465</guid>
		<description><![CDATA[So for the sake of completeness, here is a story about Marcie Carey and her dental adventures, which actually compare okay to those of her sisters. Marcie had kind of unfortunate childhood and young adulthood in a puppy mill. Most of the dogs who were recovered with her &#8212; 11 of the 16 &#8212; died <a href='http://italiangreyhounds.org/errata/2010/07/18/toothless-in-tampa/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_478" class="wp-caption alignright" style="width: 310px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/MCteeth.jpg"><img class="size-medium wp-image-478" title="Marcie's Teeth" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/MCteeth-300x225.jpg" alt="" width="300" height="225" /></a><p class="wp-caption-text">Marcie&#39;s Teeth</p></div>
<div id="attachment_479" class="wp-caption alignright" style="width: 367px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/mc06101.jpg"><img class="size-medium wp-image-479" title="Marcie Resting Comfortably!" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/mc06101-300x225.jpg" alt="" width="357" height="267" /></a><p class="wp-caption-text">Marcie recuperating</p></div>
<p>So for the sake of completeness, here is a story about Marcie Carey and her dental adventures, which actually compare okay to those of her sisters.</p>
<p>Marcie had kind of unfortunate childhood and young adulthood in a puppy mill. Most of the dogs who were recovered with her &#8212; 11 of the 16 &#8212; died shortly after they were seized by animal services in Georgia. I can only imagine that her taciturn nature is both a result of the horrible experiences she had (three litters of puppies before she was 18 months old among other things) and part of her survival strategy. Marcie is very reserved and quiet &#8212; she had lived with me for three years before I ever heard her make a sound &#8212; and very loving with cats and people she knows well; I wonder sometimes if she is completely cheerful but she seems content most of the time.</p>
<p>Anyway, like a lot of puppy mill dogs, Marcie has always had terrible teeth. They&#8217;ve been extracted one by one over the years, but today, recognizing that all of her canine teeth were practically parrallel to the jawbone and that none of the molars met, the very nice dog dentist <a title="The Pet Dentist" href="http://www.thepetdentist.com/index.php" target="_blank">Dr. Michael Peak</a> recommended that it was time for total toothlessness. (Also, the spaces around the teeth accumulate bacteria which affect dogs&#8217; health in other ways.)</p>
<p>This is a challenging procedure not just because of the tiny bones of Italian Greyhounds but because their low body fat makes anesthesia tricky. Dr. Peak used only light sedation (<a title="Isoflorane" href="http://www.drugs.com/vet/isoflurane.html" target="_blank">isoflurane</a>) with Marcie and some nerve blocking shots around the gumline. And of course Marcie had plenty of dog tranquilizers and painkillers plus subcutaneous and IV fluids.</p>
<p>Also, Marcie is simply much younger &#8212; <a title="Astra" href=" http://italiangreyhounds.org/errata/2006/11/02/my-girls-are-in-trouble/" target="_blank">Astra</a> was 16 years old when she had her major extraction and bone graft! &#8212; than her sister was undergoing the same procedure.</p>
<p>Naturally I asked to keep the teeth, which you see here, and to have lots of photos.</p>
<p>However I do not think either Marcie nor myself was prepared for embarking on the new adventure of canine cuisine we are now faced with addressing. Marcie already was used to a lot of food &#8212; soup, stew, oatmeal, various kinds of cooked vegetables &#8212; she just sort of slurped up (not to mention the diet staples of ice cream and yogurt &#8212; what can I say?) but if people have ideas about what else a tooth-free IG might subsist on, that would be great.</p>
<p>The excision of Marcie&#8217;s tusks are certainly a loss to the world of Italian Greyhound glamour but I think you can see she is going to quickly make a good showing of the &#8220;tongue as accessory&#8221; thing.</p>
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		<item>
		<title>Video Kingpins of Hades Or, No Mercy For Nonsense</title>
		<link>http://italiangreyhounds.org/errata/2010/07/05/video-kingpins-of-hades-or-no-mercy-for-nonsense-2/</link>
		<comments>http://italiangreyhounds.org/errata/2010/07/05/video-kingpins-of-hades-or-no-mercy-for-nonsense-2/#comments</comments>
		<pubDate>Mon, 05 Jul 2010 16:36:43 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Animals in Art]]></category>
		<category><![CDATA[Dogs!]]></category>
		<category><![CDATA[Italian Greyhounds]]></category>
		<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Eschatology]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[No Mercy for Nonsense]]></category>
		<category><![CDATA[Video Kingpins of Hades Or]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=454</guid>
		<description><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/07/05/video-kingpins-of-hades-or-no-mercy-for-nonsense-2/" title="Video Kingpins of Hades Or, No Mercy For Nonsense"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/tesemcouple1.56oy5g5g29cs00gkgwsossogc.a9sxxja1njksswcs400wcc4cg.th.JPG" width="120" height="89" alt="Video Kingpins of Hades Or, No Mercy For Nonsense" style="float:left;padding:0 10px 10px 0;" ></a>Chapter 2 Something very evil had clutched the residence at 704 Howser Street. Something that hung over the little home like a black widow’s veil. Indeed, something hideous. Sure, it had happened before, but not in Astoria. This was spooky. Inside the home, she could feel the presence of the evil force as it hovered <a href='http://italiangreyhounds.org/errata/2010/07/05/video-kingpins-of-hades-or-no-mercy-for-nonsense-2/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/07/05/video-kingpins-of-hades-or-no-mercy-for-nonsense-2/" title="Video Kingpins of Hades Or, No Mercy For Nonsense"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/tesemcouple1.56oy5g5g29cs00gkgwsossogc.a9sxxja1njksswcs400wcc4cg.th.JPG" width="120" height="89" alt="Video Kingpins of Hades Or, No Mercy For Nonsense" style="float:left;padding:0 10px 10px 0;" ></a><h1><span style="color: #993300;"><span class="post-heading-single">Chapter 2</span></span></h1>
<p>Something very evil had clutched the residence at 704 Howser Street. Something that hung over the little home like a black widow’s veil. Indeed, something hideous. Sure, it had happened before, but not in Astoria. This was spooky.</p>
<p>Inside the home, she could feel the presence of the evil force as it hovered over her. She could feel it. None of the appliances were working properly, the children had taken up the practice of walking through solid walls while chanting “Go Wisconsin!”, and sirens were piercing the air, their source unknown. This was most definitely frightening.</p>
<p>Actually, this evening was not unlike the previous few.</p>
<p><img title="chapter 2" src="http://italiangreyhounds.org/vkoh/wp-content/vkoh6.png" alt="chapter 2" width="360" height="480" /></p>
<p>Only too clearly came the images of the hamsters in the bathroom, and the sailors in the atticway. She also knew the house still reeked of cheap beer and nachos. The smell was overbearing.</p>
<p>Her mind reeled back a few days as she tried to recall the event that might have triggered all of this, but all she could remember was the fight she had with her husband after he replaced their conventional front door with a paper barrier.</p>
<p>As she thought of the incident, her husband, coincidentally, came crashing through the barrier. The tearing of the paper was loud enough that it could have been a truck driving through the door.</p>
<p>Next came THAT voice.</p>
<p>“Hey! I caught that ball!” He exclaimed.</p>
<p>Immediately she knew that Frostie’s Angels had lost the big ball game. Her husband kept babbling about the outcome of the final play, but when he settled down, he asked her where his supper was. She pointed to the recession of the ceiling/wall above the refrigerator. There he saw a drooping wad of spaghetti, clinging for its survival.</p>
<p>“What’d ya do dat fer?” He asked, pointing his finger at her. There was a brief pause.</p>
<p>“I think we got ghosts.” She said, erupting into tears.</p>
<p>“What have you been smokin’?” he retorted.</p>
<p>With those words, the kitchen floor began crackling and crumbling beneath him. Through the crevice that developed, a little green man burst onto the scene. Was this an alien visitor?</p>
<p>No. It was Gumby.</p>
<h2><em><span style="color: #993300;">To be continued&#8230;</span></em></h2>
<div id="attachment_456" class="wp-caption alignright" style="width: 310px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/Tesem2.jpg"><img class="size-medium wp-image-456" title="Too Many Tesem" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/07/Tesem2-300x231.jpg" alt="" width="300" height="231" /></a><p class="wp-caption-text">4 Tesems (bas) et 3 hyènes (haut), origine: tombeau de Ptah Hotep à Saqqara.</p></div>
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		<item>
		<title>The Lure of Salvage 2</title>
		<link>http://italiangreyhounds.org/errata/2010/06/27/the-lure-of-salvage-ii/</link>
		<comments>http://italiangreyhounds.org/errata/2010/06/27/the-lure-of-salvage-ii/#comments</comments>
		<pubDate>Sun, 27 Jun 2010 12:13:54 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Stuff Found in Library Books]]></category>
		<category><![CDATA[Archives]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Eschatology]]></category>
		<category><![CDATA[Libraries]]></category>
		<category><![CDATA[Oddities]]></category>
		<category><![CDATA[The Lure of Salvage]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=435</guid>
		<description><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/06/27/the-lure-of-salvage-ii/" title="The Lure of Salvage 2"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/valbook2.1bgegoqao2kkkwcocw8gko84c.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="131" alt="The Lure of Salvage 2" style="float:left;padding:0 10px 10px 0;" ></a>This book, The Hour of Our Death by Philippe Aries (New York: Knopf, 1961) and the pages inside it was rebound recently, with the ad hoc call slip of a patron (who apparently had found the book) joined to new (sewn) binding.]]></description>
			<content:encoded><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/06/27/the-lure-of-salvage-ii/" title="The Lure of Salvage 2"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/valbook2.1bgegoqao2kkkwcocw8gko84c.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="131" alt="The Lure of Salvage 2" style="float:left;padding:0 10px 10px 0;" ></a><p>This book, <em><a title="Worldcat Entry for &quot;The Hour of Our Death&quot;" href="http://www.worldcat.org/title/hour-of-our-death/oclc/6278130" target="_blank">The Hour of Our Death</a></em> by Philippe Aries (New York: Knopf, 1961) and the pages inside it was rebound recently, with the ad hoc call slip of a patron (who apparently had found the book) joined to new (sewn) binding.</p>
<div id="attachment_436" class="wp-caption alignleft" style="width: 310px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/valbook.jpg"></a></p>
<div class="mceTemp">
<dl id="attachment_437" class="wp-caption alignright" style="width: 310px;">
<dt class="wp-caption-dt"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/remoteandimminent2.jpg"><img class="size-medium wp-image-437" title="Remote and Imminent Death" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/remoteandimminent2-300x224.jpg" alt="" width="300" height="224" /></a><p class="wp-caption-text">Call slip bound into &quot;Remote and Imminent Death,&quot; in The Hour of Our Death</p></div>
</dt>
<dd class="wp-caption-dd"></dd>
</dl>
</div>
<p><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/05/valbook.jpg"><img class="alignright size-medium wp-image-442" title="valbook" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/05/valbook-300x96.jpg" alt="" width="300" height="96" /></a></p>
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		<item>
		<title>Video Kingpins of Hades Or, No Mercy for Nonsense</title>
		<link>http://italiangreyhounds.org/errata/2010/06/23/video-kingpins-of-hades-or-no-mercy-for-nonsense/</link>
		<comments>http://italiangreyhounds.org/errata/2010/06/23/video-kingpins-of-hades-or-no-mercy-for-nonsense/#comments</comments>
		<pubDate>Wed, 23 Jun 2010 02:46:49 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[and Librarians]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Dogs!]]></category>
		<category><![CDATA[Fiction]]></category>
		<category><![CDATA[Italian Greyhounds]]></category>
		<category><![CDATA[No Mercy for Nonsense]]></category>
		<category><![CDATA[Nonsense]]></category>
		<category><![CDATA[Philosophy]]></category>
		<category><![CDATA[Video Kingpins of Hades Or]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=418</guid>
		<description><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/06/23/video-kingpins-of-hades-or-no-mercy-for-nonsense/" title="Video Kingpins of Hades Or, No Mercy for Nonsense"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/chessa.3j6jt318l5kw8s40c84o884co.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="240" alt="Video Kingpins of Hades Or, No Mercy for Nonsense" style="float:left;padding:0 10px 10px 0;" ></a>The First Thilling Chapter WARNING! The Inspector for the Office of Literary Quality, a unit of the British Colonial Office, has determined that the following reading material is of the poorest possible grade, as it is solely structured around nonsense and simply “meaningless words on a page.&#8221; This material is not intended for resale, and <a href='http://italiangreyhounds.org/errata/2010/06/23/video-kingpins-of-hades-or-no-mercy-for-nonsense/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/06/23/video-kingpins-of-hades-or-no-mercy-for-nonsense/" title="Video Kingpins of Hades Or, No Mercy for Nonsense"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/chessa.3j6jt318l5kw8s40c84o884co.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="240" alt="Video Kingpins of Hades Or, No Mercy for Nonsense" style="float:left;padding:0 10px 10px 0;" ></a><h2 style="text-align: center;"><span style="text-decoration: underline;"><span style="color: #993300;">The First Thilling Chapter</span></span></h2>
<p><span style="color: #993300;">WARNING!</span><br />
The Inspector for the Office of Literary Quality, a unit of the British Colonial Office, has determined that the following reading material is of the poorest possible grade, as it is solely structured around nonsense and simply “meaningless words on a page.&#8221;</p>
<p>This material is not intended for resale, and is the property of the University of Polyleritae.</p>
<p>Any infringement of the Statuatory Copywright by Dr. Moe Howard and the University is a violation of all applicable laws.</p>
<p>Please note that the names have been changed in order to encourage innocent parties to commit acts that would adulterate their innocence.</p>
<p>This  is the first installment of the Tom Selleck/Opus the Penguin Literary Collection.</p>
<p>The University would like to thank you for helping us to establish the finest in InstiLit. Please remember that THIS IS A SECURED BUILDING. NO RIFF-RAFF. NO WHISTLING IN THE HALLS OR PLAYING WITH THE ELEVATORS.</p>
<p>THANX,</p>
<p><span style="color: #000080;"><em>The University of Polyleritae</em></span></p>
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		<title>Franz Marc tries writing Symbolist poetry</title>
		<link>http://italiangreyhounds.org/errata/2010/06/13/franz-marc-tries-writing-symbolist-poetry/</link>
		<comments>http://italiangreyhounds.org/errata/2010/06/13/franz-marc-tries-writing-symbolist-poetry/#comments</comments>
		<pubDate>Sun, 13 Jun 2010 16:26:27 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Animals]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Franz Marc]]></category>
		<category><![CDATA[German Expressionism]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Symbolist Poetry]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=402</guid>
		<description><![CDATA[Franz Marc&#8217;s best known writing is his public manifesto-ing, and also his correspondence with colleagues and family. But Marc also wrote on the covers of and inside his various sketchbooks all the time. This verse from around 1910 is really trippy in a Rimbaud sort of way. Some of the imagery and words come up <a href='http://italiangreyhounds.org/errata/2010/06/13/franz-marc-tries-writing-symbolist-poetry/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/Ruhende_Arbeitspferde.jpg"><img class="size-medium wp-image-404 alignright" title="Schlafen Arbeitspferde..." src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/Ruhende_Arbeitspferde-300x224.jpg" alt="" width="300" height="224" /></a>Franz Marc&#8217;s best known writing is his public manifesto-ing, and also his correspondence with colleagues and family. But Marc also wrote on the covers of and inside his various sketchbooks all the time. This verse from around 1910 is really trippy in a Rimbaud sort of way. Some of the imagery and words come up again in paintings and painting titles. Thomas de Kayser, the editor of the volume in which this appears, organizes this material by theme very agreeably.  Text in French follows the English translation.</p>
<p><strong><span style="color: #99cc00;"> Notes in the sketchbook XXVIII</span></strong><br />
&#8212; A pink rain fell over meadows.<br />
&#8212; The air is like green glass.<br />
&#8212; The girl [observed] looked into the water, the water was clear [as] crystal, the girl was crying.<br />
&#8212; Trees had their growth rings, the animals their veins.</p>
<p><strong><span style="color: #99cc00;">Notes in the sketchbook XXXI</span></strong><br />
The storm roared.<br />
I entered the house and saw all<br />
A tall woman red small black cat [playing] on the green table.<br />
Kraak, lightning strikes the vehicle &#8211; the beautiful little cats were playing with the woman, she smiled &#8211; ah ah [poor] man and horse are [is] dead. [The man cries] [sky] the angel of fear knocks at the window; the [poor woman] I could shake the red heart of the woman and black kittens knew the green table &#8211; what it [?], red and black and green? Three colors give it a thought? If we give to the red heart shape, the black that [one of three interspersed] small kittens, green form of [a large square plate ?...] the square.</p>
<p>I meditate on that thought.<br />
The red heart of the woman breaks.<br />
It [comes] springs a [blood ...] [a streak of blood] A stream of blood [across the sky due] which falls into the river, it flows through the now red green pastures grazed by sheep or black.<br />
The storm has withdrawn his hand from the earth.<br />
The blue sky [?] Ogle like a gigantic glass eye the scene [of] red, green, and black, this thought is not it terrible? [...] Do you understand what the painters paint?</p>
<p><span id="more-402"></span><strong><span style="color: #99cc00;">Notes dans le cahier de croquis XXVIII</span></strong></p>
<p>&#8212; une pluie rose tombait sur des prés verts.</p>
<p>&#8212; l&#8217;air resemblait a du verre vert.</p>
<p>&#8212; la fille [observait] regardait dans l&#8217;eau; l&#8217;eau était claire [propre] comme du cristal; la fille pleurait.</p>
<p>&#8212; les arbres montraient leurs anneaux de croissance; les animaux leurs veines.</p>
<p><strong><span style="color: #99cc00;">Notes dans le cahier de croquis XXXI</span></strong></p>
<p>L&#8217;orage grondait.</p>
<p>J&#8217;entrai dans la maison et vis tout</p>
<p>Une grande femme rouge; des petits chat noirs [jouaient] sur la table verte.</p>
<p>Kraak, la foudre a frappe le véhicule &#8212; les petis chats jouaient avec la femme, elle souriait &#8212; ah ah [le pauvre] homme et cheval sont [est] morts. [L'homme pleure] [ciel] l&#8217;ange de la crainte frappe a la fenetre; [la pauvre femme] je voyais trembler le coeur rouge de la femme et les chatons noirs su la table verte &#8212; qu&#8217;est-ce que c&#8217;est [?], rouge et noir et vert? Trois couleurs donnent elles une pensée? Si l&#8217;on donne au rouge la forme du coeur, au noir celle [de l'un des trois entremeles] des petits chatons, au vert la forme [d'un grand carre plat?...] du carré.</p>
<p>Je veux mediter cette pensée.</p>
<p>Le coeur rouge de la femme se brise.</p>
<p>Il en [sort] jaillit un [sang...] [une raie de sang] un flot de sang [en travers due ciel] qui tombe dans la riviere, elle coule maintenant rouge a travers les vertes prairies ou paissent des moutons noirs.</p>
<p>L&#8217;orage a retiré sa main de la terre.</p>
<p>Le ciel bleu [?] reluque tel un gigantesque oeil de verre la scene [de] rouge, vert, et noir, cette pensée n&#8217;est-elle pas terrible? [...] Comprenez-vous ce que le peintres peignent?</p>
<p><a href="http://italiangreyhounds.org/errata/wp-admin/post-new.php#_ftn1">[1]</a></p>
<hr size="1" /><a href="http://italiangreyhounds.org/errata/wp-admin/post-new.php#_ftnref1">[1]</a> Franz Marc, <em>E?crits et correspondances</em>, ed. Thomas de Kayser, (Paris: Ecole nationale superieure des beaux-arts, 2006), 182-183</p>
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		<title>The Lure of Salvage 1</title>
		<link>http://italiangreyhounds.org/errata/2010/06/09/the-lure-of-salvage-1/</link>
		<comments>http://italiangreyhounds.org/errata/2010/06/09/the-lure-of-salvage-1/#comments</comments>
		<pubDate>Wed, 09 Jun 2010 03:00:34 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Archiving]]></category>
		<category><![CDATA[Book Marks]]></category>
		<category><![CDATA[Fairy Tales]]></category>
		<category><![CDATA[Libraries]]></category>
		<category><![CDATA[Russia]]></category>
		<category><![CDATA[Soviet]]></category>
		<category><![CDATA[Stuff Found in Library Books]]></category>
		<category><![CDATA[The Lure of Salvage]]></category>
		<category><![CDATA[Walter Benjamin]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=367</guid>
		<description><![CDATA[Documenting odd things found in library books begins; this project is called The Lure of Salvage. Our inaugural item, this small (7 cm by 10.2 cm) calendar card from Moscow cicrca 1971 was found in a book of Russian poety printed in 1942. The photo does not do the image of the curly horses and <a href='http://italiangreyhounds.org/errata/2010/06/09/the-lure-of-salvage-1/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_397" class="wp-caption alignleft" style="width: 310px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/russiahouse.jpg"><img class="size-medium wp-image-397" title="CCCP Calendar, 1971" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/russiahouse-300x217.jpg" alt="" width="300" height="217" /></a><p class="wp-caption-text">CCCP Calendar Card, 1971</p></div>
<div id="attachment_398" class="wp-caption aligncenter" style="width: 230px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/russiahouse2.jpg"><img class="size-medium wp-image-398" title="Soviet Calendar Card, 1971" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/russiahouse2-220x300.jpg" alt="" width="220" height="300" /></a><p class="wp-caption-text"> Soviet Calendar Card, 1971</p></div>
<p>Documenting odd things found in library books begins; this project is called The Lure of Salvage. Our inaugural item, this small (7 cm by 10.2 cm) calendar card from Moscow cicrca 1971 was found in a book of Russian poety printed in 1942. The photo does not do the image of the curly horses and leaping wolves justice but it is very dreamy and lovely.<br />
&#8216;There is no document of culture that is not at the same time a document of barbarism.&#8217; &#8211; Walter Benjamin</p>
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		<title>Don&#8217;t Cry, Work</title>
		<link>http://italiangreyhounds.org/errata/2010/06/01/dont-cry-work/</link>
		<comments>http://italiangreyhounds.org/errata/2010/06/01/dont-cry-work/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 12:24:50 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Animal Behavior]]></category>
		<category><![CDATA[Animals]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Eschatology]]></category>
		<category><![CDATA[Franz Marc]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Giorgio Agamben]]></category>
		<category><![CDATA[Homo Sacer]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Philosophy]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=392</guid>
		<description><![CDATA[It&#8217;s June 2010. &#8220;The end of history involves, then, an &#8216;epilogue&#8217; in which human negativity is preserved as a &#8216;remnant&#8217; in the form of eroticism, laughter, joy in the face of death. In the uncertain light of this epilogue, the wise man, sovereign and self-conscious, sees not animal heads passing again before his eyes but <a href='http://italiangreyhounds.org/errata/2010/06/01/dont-cry-work/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<div id="attachment_394" class="wp-caption aligncenter" style="width: 310px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/UnidentifiedCoastalOrganism.jpg"><img class="size-medium wp-image-394" title="Unidentified Coastal Organism" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/06/UnidentifiedCoastalOrganism-300x199.jpg" alt="" width="300" height="199" /></a><p class="wp-caption-text">Unidentified Coastal Organism</p></div>
<p>It&#8217;s June 2010.</p>
<p>&#8220;The end of history involves, then, an &#8216;epilogue&#8217; in which human negativity is preserved as a &#8216;remnant&#8217; in the form of eroticism, laughter, joy in the face of death. In the uncertain light of this epilogue, the wise man, sovereign and self-conscious, sees not animal heads passing again before his eyes but rather the acephalous figures of the <em>hommes farouchement religieux</em>, &#8216;lovers,&#8217; or &#8216;sorcerer&#8217;s apprentices.&#8217; &#8221;<br />
&#8211; Giorgio Agamben, <em>The Open: Man and Animal</em>, (Stanford, CA: Stanford University Press, 2004), 7.</p>
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		<title>Henry Howard on Wolves and Lions</title>
		<link>http://italiangreyhounds.org/errata/2010/05/26/henry-howard-on-wolves-and-lions/</link>
		<comments>http://italiangreyhounds.org/errata/2010/05/26/henry-howard-on-wolves-and-lions/#comments</comments>
		<pubDate>Wed, 26 May 2010 11:45:08 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Animals]]></category>
		<category><![CDATA[Britain]]></category>
		<category><![CDATA[Earl of Surrey]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Henry Howard]]></category>
		<category><![CDATA[Lions]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Starbucks]]></category>
		<category><![CDATA[The Tudors]]></category>
		<category><![CDATA[Wolves]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=383</guid>
		<description><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/05/26/henry-howard-on-wolves-and-lions/" title="Henry Howard on Wolves and Lions"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/phstarbucks2.66fsj440cakgsc84k8os8sgs4.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="135" alt="Henry Howard on Wolves and Lions" style="float:left;padding:0 10px 10px 0;" ></a>Henry Howard, the Earl of Surrey, is credited along with Thomas Wyatt for founding the English sonnet. Henry Howard lived in France for a long time, was frequently in trouble with Henry VIII for his boisterous behavior, and got into all sorts of adventures; he was a cool dude. This verse, thought to be about <a href='http://italiangreyhounds.org/errata/2010/05/26/henry-howard-on-wolves-and-lions/'>[...]</a>]]></description>
			<content:encoded><![CDATA[<a href="http://italiangreyhounds.org/errata/2010/05/26/henry-howard-on-wolves-and-lions/" title="Henry Howard on Wolves and Lions"><img src="http://italiangreyhounds.org/errata/wp-content/uploads/yapb_cache/phstarbucks2.66fsj440cakgsc84k8os8sgs4.a9sxxja1njksswcs400wcc4cg.th.JPG" width="180" height="135" alt="Henry Howard on Wolves and Lions" style="float:left;padding:0 10px 10px 0;" ></a><p><span style="font-size: xx-small;">Henry Howard, the Earl of Surrey, is credited along with Thomas Wyatt for founding the English sonnet. Henry Howard lived in France for a long time, was frequently in trouble with Henry VIII for his boisterous behavior, and got into all sorts of adventures; he was a cool dude. This verse, thought to be about Anne Stanhope, Lady Hertford, is from about 1542.</span></p>
<p><span style="font-size: xx-small;"> A   SONG WRITTEN BY THE EARL OF SURREY. </span><br />
<span>OF A LADY THAT   REFUSED TO DANCE WITH HIM</span>.</p>
<table>
<tbody>
<tr>
<td><span style="font-family: georgia,tahoma,arial; font-size: x-small;"> EACH beast can choose his fere according to his mind,<br />
And eke can show a friendly chere, like to their beastly kind.<br />
A lion saw I late, as white as any snow,<br />
Which seemed well to lead the race, his port the same did show.<br />
Upon the gentle beast to gaze it pleased me,<br />
For still methought he seemed well of noble blood to be.<br />
And as he pranced before, still seeking for a make,<br />
As who would say, &#8216;There is none here, I trow, will me forsake&#8217;,<br />
<span style="color: #ffa500;">I might perceive a <strong>Wolf </strong>as white as whalèsbone,<br />
A fairer beast of fresher hue, beheld I never none ;<br />
Save that her looks were coy, and froward eke her grace :<br />
Unto the which this gentle beast gan him advance apace,<br />
And with a beck full low he bowed at her feet,</span><br />
In humble wise, as who would say, &#8216;I am too far unmeet.&#8217;<br />
But such a scornful chere, wherewith she him rewarded !<br />
Was never seen, I trow, the like, to such as well deserved.<br />
With that she start aside well near a foot or twain,<br />
And unto him thus gan she say, with spite and great disdain :<br />
&#8216;Lion,&#8217; she said, &#8216;if thou hadst known my mind before,<br />
Thou hadst not spent thy travail thus, nor all thy pain for-lore.<br />
Do way ! I let thee weet, thou shalt not play with me :<span id="more-383"></span><br />
Go range about, where thou mayst find some meeter fere for thee.&#8217;<br />
With that he beat his tail, his eyes began to flame ;<br />
I might perceive his noble heart much moved by the same.<br />
Yet saw I him refrain, and eke his wrath assuage,<br />
And unto her thus gan he say, when he was past his rage :<br />
&#8216; Cruel ! you do me wrong, to set me thus so light ;<br />
Without desert for my good will to shew me such despite.<br />
How can ye thus intreat a Lion of the race,<br />
That with his paws a crowned king devoured in the place.<br />
Whose nature is to prey upon no simple food,<br />
As long as he may suck the flesh, and drink of noble blood.<br />
If you be fair and fresh, am I not of your hue ?<br />
And for my vaunt I dare well say, my blood is not untrue.<br />
For you yourself have heard, it is not long ago,<br />
Sith that for love one of the race did end his life in woe,<br />
In tower both strong and high, for his assured truth,<br />
Whereas in tears he spent his breath, alas ! the more the ruth.<br />
This gentle beast so died, whom nothing could remove,<br />
But willingly to lese his life for loss of his true love.<br />
Other there be whose lives do linger still in pain,<br />
Against their will preserved are, that would have died fain.<br />
But now I do perceive that nought it moveth you,<br />
My good intent, my gentle heart, nor yet my kind so true.<br />
But that your will is such to lure me to the trade,<br />
As other some full many years trace by the craft ye made.<br />
And thus behold my kinds, how that we differ far ;<br />
I seek my foes ; and you your friends do threaten still with war.<br />
I fawn where I am fled ; you slay, that seeks to you ;<br />
I can devour no yielding prey ; you kill where you subdue.<br />
My kind is to desire the honour of the field ;<br />
And you with blood to slake your thirst on such as to you yield.<br />
Wherefore I would you wist, that for your coyed looks,<br />
I am no man that will be trapp&#8217;d, nor tangled with such hooks.<br />
And though some lust to love, where blame full well they might ;<br />
And to such beasts of current sought, that should have travail bright ;<br />
I will observe the law that Nature gave to me,<br />
To conquer such as will resist, and let the rest go free.<br />
And as a falcon free, that soareth in the air,<br />
Which never fed on hand nor lure ; nor for no stale<span style="font-size: xx-small;"> 5</span> doth care ;<br />
While that I live and breathe, such shall my custom be<br />
In wildness of the woods to seek my prey, where pleaseth me ;<br />
Where many one shall rue, that never made offence :<br />
Thus your refuse against my power shall boot them no defence.<br />
And for revenge thereof I vow and swear thereto,<br />
A thousand spoils I shall commit I never thought to do.<br />
And if to light on you my luck so good shall be,<br />
I shall be glad to feed on that, that would have fed on me.<br />
And thus farewell, Unkind, to whom I bent and bow ;<br />
I would you wist, the ship is safe that bare his sails so low.<br />
<span style="color: #ffa500;">Sith that a Lion&#8217;s heart is for a <strong>Wolf </strong>no prey,</span><br />
<span style="color: #ffa500;">With bloody mouth go slake your thirst on simple sheep, I say,</span><br />
With more despite and ire than I can now express ;<br />
Which to my pain, though I refrain, the cause you may well guess.<br />
As for because myself was author of the game,<br />
It boots me not that for my wrath I should disturb the same.&#8217;<br />
Henry B. Wheatley, &#8220;London Episodes,&#8221; <em>The Antiquary</em>, May 1885. in Antiquary. Vol XI. London: Elliot Stock, 1885</span></td>
</tr>
</tbody>
</table>
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		<title>&#8220;High school classes help teen mom&#8217;s prepare, cope&#8221;</title>
		<link>http://italiangreyhounds.org/errata/2010/05/21/high-school-classes-help-teen-moms-prepare-cope/</link>
		<comments>http://italiangreyhounds.org/errata/2010/05/21/high-school-classes-help-teen-moms-prepare-cope/#comments</comments>
		<pubDate>Fri, 21 May 2010 03:14:23 +0000</pubDate>
		<dc:creator>Archivist, University of Polyleritae</dc:creator>
				<category><![CDATA[Philosophy, Art History, and Librarians]]></category>
		<category><![CDATA[Eschatology]]></category>
		<category><![CDATA[FAIL]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Teen Moms]]></category>

		<guid isPermaLink="false">http://italiangreyhounds.org/errata/?p=379</guid>
		<description><![CDATA[Not good.]]></description>
			<content:encoded><![CDATA[<div id="attachment_378" class="wp-caption aligncenter" style="width: 590px"><a href="http://italiangreyhounds.org/errata/wp-content/uploads/2010/05/teenmoms.png"><img class="size-medium wp-image-378" title="&quot;Teen Mom's&quot;" src="http://italiangreyhounds.org/errata/wp-content/uploads/2010/05/teenmoms-300x176.png" alt="" width="580" height="340" /></a><p class="wp-caption-text">Journalism: FAIL</p></div>
<p>Not good.</p>
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