Centurion is supposed to be historical fiction about the disappearance of the Legio IX Hispania in the third century in something like the Battle of Teutoberg Wald but it kind of lapses into … semi-fantasy. There is a lot of snow and awesome alpine scenery and fun costumes. Basically the only reason to see Centurion is for Dominic West in one of his typically movie-stealing supporting roles (as “General Titus Flavius Virilus” — really!) and Etain, the “guerra picta” played by Olga Kurylenko. Etain doesn’t speak, takes the wolf as her attribute animal, and endures a strange sort of Penthesilea-like death. She has fantastic Pict ordnance and body decorations.

I was sort of half-waking up, half-dreaming about the movie when the song “Signs” came on dataheaven.us… I haven’t paid much attention to Bloc Party previously but I was blown away by this particular song. Maybe it was just the combination of sound and imagery but it really shook me up.

What do these two things have in common that together they should make such a resonant impression? I don’t know.

Here is the link to “Signs” on Soundcloud, and a snippet of lyric: “I  could sleep forever these days because in my dreams I see you again.”

So the Swede Film Festival Tampa was last night at the Muvico in Ybor City.

It seemed like about 100 people and hipsters showed out which mainly included the filmmakers and casts and their friends. Still it was fun in the way that comic events are more entertaining with a group who is into it.

The films are archived online here. Of course I was one of the animals in Dumbo. Jim Reiman made this film but his voices for the various characters are what blew me away. Adam Kitzerow and Deon Blackwell are especially hilarious in Top Gun and Robb Fladry has incredible fun original music for Weekend at Bernie’s. The Sweded Apocalypto and The Shining were pretty madcap, too.

I think it would be fun to work on a version of There Will Be Blood.

Königsplatz, München

Glyptothek

 

 

It would be impossible ever to say what the most exciting thing about visiting Munich was since it was all the most exciting thing, but one of the most most exciting things was visiting the Propyläen and Glyptothek “temples” of the Königsplatz featured in Dario Argento’s Suspiria. (The scaffolding behind the Propyläen is at the Lenbachhaus.)

Suspiria just celebrated its 35th anniversary. Here is the spectacular scene in which Daniel (Silvio Bucci) crosses the square with his German Shepherd dog:

David Gordon Green (George Washington, Pineapple Express) is doing a remake of Suspiria, and of course Argento purists hate this — on its face this film is desperately not in need of a do-over — but Green has said his version will be shot in Munich, and, I mean, George Washington and Pineapple Express are great, so, I’m for it…

 

 

Phassbinder Philm Phestival

Phassbinder Philm Phestival

Whity, (1971); Warnung vor einer heiligen Nutte, (1971); Faustrecht der Freiheit, (1975); Angst vor der Angst, (1975); Liebe ist kålter als der Tod, (1969); Die Sehnsucht der Veronika Voss (1982); Die Ehe der Maria Braun, (1979); Lola (1981).

Rainer Werner Fassbinder: Few filmmakers so powerfully manage to subvert desire for cathartic drama while simultaneously fulfilling it.

Mexican red wolf, courtesy U.S. Department of the Interior

Following, Christopher Nolan, (1998) ••••; Haven, Frank E. Flowers, (2004) ••••; Love Liza, Gordy Hoffman, (2002) •••••; Armistead Maupin’s Further Tales of the City, Pierre Gang, (2001) ••; Disturbia, D.J. Caruso, (2007) •••; The Last Emperor, Bernardo Bertolucci, (1987) ••••

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